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CHAPTER XXIX UP CHAPTER XXXI CHAPTER XXX The Queens Class Is Organized Marilla laid her knitting on her lap and leaned back in her chair. Her eyes were tired, and she thought vaguely that she must see about having her glasses changed the next time she went to town, for her eyes had grown tired very often of late. It was nearly dark, for the full November twilight had fallen around Green Gables, and the only light in the kitchen came from the dancing red flames in the stove. Anne was curled up Turk-fashion on the hearthrug, gazing into that joyous glow where the sunshine of a hundred summers was being distilled from the maple cordwood. She had been reading, but her book had slipped to the floor, and now she was dreaming, with a smile on her parted lips. Glittering castles in Spain were shaping themselves out of the mists and rainbows of her lively fancy; adventures wonderful and enthralling were happening to her in cloudland--adventures that always turned out triumphantly and never involved her in scrapes like those of actual life. Marilla looked at her with a tenderness that would never have been suffered to reveal itself in any clearer light than that soft mingling of fireshine and shadow. The lesson of a love that should display itself easily in spoken word and open look was one Marilla could never learn. But she had learned to love this slim, gray-eyed girl with an affection all the deeper and stronger from its very undemonstrativeness. Her love made her afraid of being unduly indulgent, indeed. She had an uneasy feeling that it was rather sinful to set one s heart so intensely on any human creature as she had set hers on Anne, and perhaps she performed a sort of unconscious penance for this by being stricter and more critical than if the girl had been less dear to her. Certainly Anne herself had no idea how Marilla loved her. She sometimes thought wistfully that Marilla was very hard to please and distinctly lacking in sympathy and understanding. But she always checked the thought reproachfully, remembering what she owed to Marilla. "Anne," said Marilla abruptly, "Miss Stacy was here this afternoon when you were out with Diana." Anne came back from her other world with a start and a sigh. "Was she? Oh, I m so sorry I wasn t in. Why didn t you call me, Marilla? Diana and I were only over in the Haunted Wood. It s lovely in the woods now. All the little wood things--the ferns and the satin leaves and the crackerberries--have gone to sleep, just as if somebody had tucked them away until spring under a blanket of leaves. I think it was a little gray fairy with a rainbow scarf that came tiptoeing along the last moonlight night and did it. Diana wouldn t say much about that, though. Diana has never forgotten the scolding her mother gave her about imagining ghosts into the Haunted Wood. It had a very bad effect on Diana s imagination. It blighted it. Mrs. Lynde says Myrtle Bell is a blighted being. I asked Ruby Gillis why Myrtle was blighted, and Ruby said she guessed it was because her young man had gone back on her. Ruby Gillis thinks of nothing but young men, and the older she gets the worse she is. Young men are all very well in their place, but it doesn t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever. Diana hasn t quite made up her mind though, because she thinks perhaps it would be nobler to marry some wild, dashing, wicked young man and reform him. Diana and I talk a great deal about serious subjects now, you know. We feel that we are so much older than we used to be that it isn t becoming to talk of childish matters. It s such a solemn thing to be almost fourteen, Marilla. Miss Stacy took all us girls who are in our teens down to the brook last Wednesday, and talked to us about it. She said we couldn t be too careful what habits we formed and what ideals we acquired in our teens, because by the time we were twenty our characters would be developed and the foundation laid for our whole future life. And she said if the foundation was shaky we could never build anything really worth while on it. Diana and I talked the matter over coming home from school. We felt extremely solemn, Marilla. And we decided that we would try to be very careful indeed and form respectable habits and learn all we could and be as sensible as possible, so that by the time we were twenty our characters would be properly developed. It s perfectly appalling to think of being twenty, Marilla. It sounds so fearfully old and grown up. But why was Miss Stacy here this afternoon?" "That is what I want to tell you, Anne, if you ll ever give me a chance to get a word in edgewise. She was talking about you." "About me?" Anne looked rather scared. Then she flushed and exclaimed "Oh, I know what she was saying. I meant to tell you, Marilla, honestly I did, but I forgot. Miss Stacy caught me reading Ben Hur in school yesterday afternoon when I should have been studying my Canadian history. Jane Andrews lent it to me. I was reading it at dinner hour, and I had just got to the chariot race when school went in. I was simply wild to know how it turned out-- although I felt sure Ben Hur must win, because it wouldn t be poetical justice if he didn t--so I spread the history open on my desk lid and then tucked Ben Hur between the desk and my knee. I just looked as if I were studying Canadian history, you know, while all the while I was reveling in Ben Hur. I was so interested in it that I never noticed Miss Stacy coming down the aisle until all at once I just looked up and there she was looking down at me, so reproachful-like. I can t tell you how ashamed I felt, Marilla, especially when I heard Josie Pye giggling. Miss Stacy took Ben Hur away, but she never said a word then. She kept me in at recess and talked to me. She said I had done very wrong in two respects. First, I was wasting the time I ought to have put on my studies; and secondly, I was deceiving my teacher in trying to make it appear I was reading a history when it was a storybook instead. I had never realized until that moment, Marilla, that what I was doing was deceitful. I was shocked. I cried bitterly, and asked Miss Stacy to forgive me and I d never do such a thing again; and I offered to do penance by never so much as looking at Ben Hur for a whole week, not even to see how the chariot race turned out. But Miss Stacy said she wouldn t require that, and she forgave me freely. So I think it wasn t very kind of her to come up here to you about it after all." "Miss Stacy never mentioned such a thing to me, Anne, and its only your guilty conscience that s the matter with you. You have no business to be taking storybooks to school. You read too many novels anyhow. When I was a girl I wasn t so much as allowed to look at a novel." "Oh, how can you call Ben Hur a novel when it s really such a religious book?" protested Anne. "Of course it s a little too exciting to be proper reading for Sunday, and I only read it on weekdays. And I never read ANY book now unless either Miss Stacy or Mrs. Allan thinks it is a proper book for a girl thirteen and three-quarters to read. Miss Stacy made me promise that. She found me reading a book one day called, The Lurid Mystery of the Haunted Hall. It was one Ruby Gillis had lent me, and, oh, Marilla, it was so fascinating and creepy. It just curdled the blood in my veins. But Miss Stacy said it was a very silly, unwholesome book, and she asked me not to read any more of it or any like it. I didn t mind promising not to read any more like it, but it was AGONIZING to give back that book without knowing how it turned out. But my love for Miss Stacy stood the test and I did. It s really wonderful, Marilla, what you can do when you re truly anxious to please a certain person." "Well, I guess I ll light the lamp and get to work," said Marilla. "I see plainly that you don t want to hear what Miss Stacy had to say. You re more interested in the sound of your own tongue than in anything else." "Oh, indeed, Marilla, I do want to hear it," cried Anne contritely. "I won t say another word--not one. I know I talk too much, but I am really trying to overcome it, and although I say far too much, yet if you only knew how many things I want to say and don t, you d give me some credit for it. Please tell me, Marilla." "Well, Miss Stacy wants to organize a class among her advanced students who mean to study for the entrance examination into Queen s. She intends to give them extra lessons for an hour after school. And she came to ask Matthew and me if we would like to have you join it. What do you think about it yourself, Anne? Would you like to go to Queen s and pass for a teacher?" "Oh, Marilla!" Anne straightened to her knees and clasped her hands. "It s been the dream of my life--that is, for the last six months, ever since Ruby and Jane began to talk of studying for the Entrance. But I didn t say anything about it, because I supposed it would be perfectly useless. I d love to be a teacher. But won t it be dreadfully expensive? Mr. Andrews says it cost him one hundred and fifty dollars to put Prissy through, and Prissy wasn t a dunce in geometry." "I guess you needn t worry about that part of it. When Matthew and I took you to bring up we resolved we would do the best we could for you and give you a good education. I believe in a girl being fitted to earn her own living whether she ever has to or not. You ll always have a home at Green Gables as long as Matthew and I are here, but nobody knows what is going to happen in this uncertain world, and it s just as well to be prepared. So you can join the Queen s class if you like, Anne." "Oh, Marilla, thank you." Anne flung her arms about Marilla s waist and looked up earnestly into her face. "I m extremely grateful to you and Matthew. And I ll study as hard as I can and do my very best to be a credit to you. I warn you not to expect much in geometry, but I think I can hold my own in anything else if I work hard." "I dare say you ll get along well enough. Miss Stacy says you are bright and diligent." Not for worlds would Marilla have told Anne just what Miss Stacy had said about her; that would have been to pamper vanity. "You needn t rush to any extreme of killing yourself over your books. There is no hurry. You won t be ready to try the Entrance for a year and a half yet. But it s well to begin in time and be thoroughly grounded, Miss Stacy says." "I shall take more interest than ever in my studies now," said Anne blissfully, "because I have a purpose in life. Mr. Allan says everybody should have a purpose in life and pursue it faithfully. Only he says we must first make sure that it is a worthy purpose. I would call it a worthy purpose to want to be a teacher like Miss Stacy, wouldn t you, Marilla? I think it s a very noble profession." The Queen s class was organized in due time. Gilbert Blythe, Anne Shirley, Ruby Gillis, Jane Andrews, Josie Pye, Charlie Sloane, and Moody Spurgeon MacPherson joined it. Diana Barry did not, as her parents did not intend to send her to Queen s. This seemed nothing short of a calamity to Anne. Never, since the night on which Minnie May had had the croup, had she and Diana been separated in anything. On the evening when the Queen s class first remained in school for the extra lessons and Anne saw Diana go slowly out with the others, to walk home alone through the Birch Path and Violet Vale, it was all the former could do to keep her seat and refrain from rushing impulsively after her chum. A lump came into her throat, and she hastily retired behind the pages of her uplifted Latin grammar to hide the tears in her eyes. Not for worlds would Anne have had Gilbert Blythe or Josie Pye see those tears. "But, oh, Marilla, I really felt that I had tasted the bitterness of death, as Mr. Allan said in his sermon last Sunday, when I saw Diana go out alone," she said mournfully that night. "I thought how splendid it would have been if Diana had only been going to study for the Entrance, too. But we can t have things perfect in this imperfect world, as Mrs. Lynde says. Mrs. Lynde isn t exactly a comforting person sometimes, but there s no doubt she says a great many very true things. And I think the Queen s class is going to be extremely interesting. Jane and Ruby are just going to study to be teachers. That is the height of their ambition. Ruby says she will only teach for two years after she gets through, and then she intends to be married. Jane says she will devote her whole life to teaching, and never, never marry, because you are paid a salary for teaching, but a husband won t pay you anything, and growls if you ask for a share in the egg and butter money. I expect Jane speaks from mournful experience, for Mrs. Lynde says that her father is a perfect old crank, and meaner than second skimmings. Josie Pye says she is just going to college for education s sake, because she won t have to earn her own living; she says of course it is different with orphans who are living on charity--THEY have to hustle. Moody Spurgeon is going to be a minister. Mrs. Lynde says he couldn t be anything else with a name like that to live up to. I hope it isn t wicked of me, Marilla, but really the thought of Moody Spurgeon being a minister makes me laugh. He s such a funny-looking boy with that big fat face, and his little blue eyes, and his ears sticking out like flaps. But perhaps he will be more intellectual looking when he grows up. Charlie Sloane says he s going to go into politics and be a member of Parliament, but Mrs. Lynde says he ll never succeed at that, because the Sloanes are all honest people, and it s only rascals that get on in politics nowadays." "What is Gilbert Blythe going to be?" queried Marilla, seeing that Anne was opening her Caesar. "I don t happen to know what Gilbert Blythe s ambition in life is-- if he has any," said Anne scornfully. There was open rivalry between Gilbert and Anne now. Previously the rivalry had been rather onesided, but there was no longer any doubt that Gilbert was as determined to be first in class as Anne was. He was a foeman worthy of her steel. The other members of the class tacitly acknowledged their superiority, and never dreamed of trying to compete with them. Since the day by the pond when she had refused to listen to his plea for forgiveness, Gilbert, save for the aforesaid determined rivalry, had evinced no recognition whatever of the existence of Anne Shirley. He talked and jested with the other girls, exchanged books and puzzles with them, discussed lessons and plans, sometimes walked home with one or the other of them from prayer meeting or Debating Club. But Anne Shirley he simply ignored, and Anne found out that it is not pleasant to be ignored. It was in vain that she told herself with a toss of her head that she did not care. Deep down in her wayward, feminine little heart she knew that she did care, and that if she had that chance of the Lake of Shining Waters again she would answer very differently. All at once, as it seemed, and to her secret dismay, she found that the old resentment she had cherished against him was gone--gone just when she most needed its sustaining power. It was in vain that she recalled every incident and emotion of that memorable occasion and tried to feel the old satisfying anger. That day by the pond had witnessed its last spasmodic flicker. Anne realized that she had forgiven and forgotten without knowing it. But it was too late. And at least neither Gilbert nor anybody else, not even Diana, should ever suspect how sorry she was and how much she wished she hadn t been so proud and horrid! She determined to "shroud her feelings in deepest oblivion," and it may be stated here and now that she did it, so successfully that Gilbert, who possibly was not quite so indifferent as he seemed, could not console himself with any belief that Anne felt his retaliatory scorn. The only poor comfort he had was that she snubbed Charlie Sloane, unmercifully, continually, and undeservedly. Otherwise the winter passed away in a round of pleasant duties and studies. For Anne the days slipped by like golden beads on the necklace of the year. She was happy, eager, interested; there were lessons to be learned and honor to be won; delightful books to read; new pieces to be practiced for the Sunday-school choir; pleasant Saturday afternoons at the manse with Mrs. Allan; and then, almost before Anne realized it, spring had come again to Green Gables and all the world was abloom once more. Studies palled just a wee bit then; the Queen s class, left behind in school while the others scattered to green lanes and leafy wood cuts and meadow byways, looked wistfully out of the windows and discovered that Latin verbs and French exercises had somehow lost the tang and zest they had possessed in the crisp winter months. Even Anne and Gilbert lagged and grew indifferent. Teacher and taught were alike glad when the term was ended and the glad vacation days stretched rosily before them. "But you ve done good work this past year," Miss Stacy told them on the last evening, "and you deserve a good, jolly vacation. Have the best time you can in the out-of-door world and lay in a good stock of health and vitality and ambition to carry you through next year. It will be the tug of war, you know--the last year before the Entrance." "Are you going to be back next year, Miss Stacy?" asked Josie Pye. Josie Pye never scrupled to ask questions; in this instance the rest of the class felt grateful to her; none of them would have dared to ask it of Miss Stacy, but all wanted to, for there had been alarming rumors running at large through the school for some time that Miss Stacy was not coming back the next year--that she had been offered a position in the grade school of her own home district and meant to accept. The Queen s class listened in breathless suspense for her answer. "Yes, I think I will," said Miss Stacy. "I thought of taking another school, but I have decided to come back to Avonlea. To tell the truth, I ve grown so interested in my pupils here that I found I couldn t leave them. So I ll stay and see you through." "Hurrah!" said Moody Spurgeon. Moody Spurgeon had never been so carried away by his feelings before, and he blushed uncomfortably every time he thought about it for a week. "Oh, I m so glad," said Anne, with shining eyes. "Dear Stacy, it would be perfectly dreadful if you didn t come back. I don t believe I could have the heart to go on with my studies at all if another teacher came here." When Anne got home that night she stacked all her textbooks away in an old trunk in the attic, locked it, and threw the key into the blanket box. "I m not even going to look at a schoolbook in vacation," she told Marilla. "I ve studied as hard all the term as I possibly could and I ve pored over that geometry until I know every proposition in the first book off by heart, even when the letters ARE changed. I just feel tired of everything sensible and I m going to let my imagination run riot for the summer. Oh, you needn t be alarmed, Marilla. I ll only let it run riot within reasonable limits. But I want to have a real good jolly time this summer, for maybe it s the last summer I ll be a little girl. Mrs. Lynde says that if I keep stretching out next year as I ve done this I ll have to put on longer skirts. She says I m all running to legs and eyes. And when I put on longer skirts I shall feel that I have to live up to them and be very dignified. It won t even do to believe in fairies then, I m afraid; so I m going to believe in them with all my whole heart this summer. I think we re going to have a very gay vacation. Ruby Gillis is going to have a birthday party soon and there s the Sunday school picnic and the missionary concert next month. And Mr. Barry says that some evening he ll take Diana and me over to the White Sands Hotel and have dinner there. They have dinner there in the evening, you know. Jane Andrews was over once last summer and she says it was a dazzling sight to see the electric lights and the flowers and all the lady guests in such beautiful dresses. Jane says it was her first glimpse into high life and she ll never forget it to her dying day." Mrs. Lynde came up the next afternoon to find out why Marilla had not been at the Aid meeting on Thursday. When Marilla was not at Aid meeting people knew there was something wrong at Green Gables. "Matthew had a bad spell with his heart Thursday," Marilla explained, "and I didn t feel like leaving him. Oh, yes, he s all right again now, but he takes them spells oftener than he used to and I m anxious about him. The doctor says he must be careful to avoid excitement. That s easy enough, for Matthew doesn t go about looking for excitement by any means and never did, but he s not to do any very heavy work either and you might as well tell Matthew not to breathe as not to work. Come and lay off your things, Rachel. You ll stay to tea?" "Well, seeing you re so pressing, perhaps I might as well, stay" said Mrs. Rachel, who had not the slightest intention of doing anything else. Mrs. Rachel and Marilla sat comfortably in the parlor while Anne got the tea and made hot biscuits that were light and white enough to defy even Mrs. Rachel s criticism. "I must say Anne has turned out a real smart girl," admitted Mrs. Rachel, as Marilla accompanied her to the end of the lane at sunset. "She must be a great help to you." "She is," said Marilla, "and she s real steady and reliable now. I used to be afraid she d never get over her featherbrained ways, but she has and I wouldn t be afraid to trust her in anything now." "I never would have thought she d have turned out so well that first day I was here three years ago," said Mrs. Rachel. "Lawful heart, shall I ever forget that tantrum of hers! When I went home that night I says to Thomas, says I, `Mark my words, Thomas, Marilla Cuthbert ll live to rue the step she s took. But I was mistaken and I m real glad of it. I ain t one of those kind of people, Marilla, as can never be brought to own up that they ve made a mistake. No, that never was my way, thank goodness. I did make a mistake in judging Anne, but it weren t no wonder, for an odder, unexpecteder witch of a child there never was in this world, that s what. There was no ciphering her out by the rules that worked with other children. It s nothing short of wonderful how she s improved these three years, but especially in looks. She s a real pretty girl got to be, though I can t say I m overly partial to that pale, big-eyed style myself. I like more snap and color, like Diana Barry has or Ruby Gillis. Ruby Gillis s looks are real showy. But somehow--I don t know how it is but when Anne and them are together, though she ain t half as handsome, she makes them look kind of common and overdone-- something like them white June lilies she calls narcissus alongside of the big, red peonies, that s what." CHAPTER XXIX UP CHAPTER XXXI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 18 36 (Tue)
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WebコミックLibraryhttp //web-comi.appspot.com/GAE/JとSlim3で作成してみた、各出版社から配信されているWebコミックをまとめて閲覧できるサイトです。只今、実験運用中… 参考サイト 公式サイト(Java) Slim3 Slim3へ appcfg My Applicationsに作成した、GAEアプリケーションの管理を行うコマンドラインツールです。 Google Plugin for Eclipseの場合、SDKがplugins/com.google.appengine.eclipse.sdkbundle_x.x.x.../appengine-java-sdk-x.x.xに存在するので、そのbinフォルダ内にappcfg.cmdがあります。 通常は、環境変数GAE_HOMEに上記のplugins/com.google.appengine.eclipse.sdkbundle_x.x.x.../appengine-java-sdk-x.x.xを設定し、%GAE_HOME%\binをPATHに追加します。 Datastore ～ Operations Quotaの中でも、世の中の頭を悩ませる最大の壁Datastore Read Operations Datastore Write Operations Datastore Small Operations 結論から言えば、Memcacheでキャッシュしまくるしかないです。 とりあえず、キャッシュについて、適当に考察してみました →キャッシュの計画 インスタンス 参考 GAE/PでのBackendsの使い方 - Tari Lari Run GAEでいう「インスタンス」とは、計算リソースのことです。「仮想的なCPU」と考えてもいいでしょう。Javaクラスのインスタンスとは全然別の概念なので、そこを取り違えないように。 GAEのインスタンスの属性としてclassという用語が出てくるけど、やっぱりJavaクラスとは何にも関係ないので注意。 何かしらのJavaクラスのコードを実行する際には、(GAEの)インスタンスが割り当てられて実行します。このとき、コードの起動方法と設定によって、割り当てられるインスタンスが決定されます。 Frontend InstanceとBackend Instance 参考 Properties of Backends(公式サイトのBackends Java API Overviewより) ※Default(Frontend) InstanceとBackend Instanceの比較表です。 通常の、ブラウザからのHTTPリクエストによってアクセスされるServletは、Frontend Instanceが割り当てられます。 CronやTask QueueからアクセスされるServletは、FrontendかBackendが選択できる？ 多分、publicのBackendにすれば、ブラウザからのHTTPリクエストに、Backend Instanceを割り当てることができるのかな？ Cron 参考 Scheduled Tasks With Cron for Java 定期的に、Servletを自動実行する仕組みです。主に、Webクローラー等の、UIを伴わないバックグラウンド処理に利用されます。 具体的には、定期実行したい処理を記述したServletに対応するURLに対して、設定ファイル(cron.xml)に設定されたタイミングでリクエストを送出します。 例外発生時にcatchしなかった場合でも、リトライは発生しません。 Cronから呼び出されることを想定しているURLは、外部から勝手に呼び出されないように、admin以外はアクセスできないようにしておきましょう(後述の「認証」を参照)。逆に言えば、管理者の場合は、ブラウザからURLを指定してリクエストを送出すれば、Cronからの起動を待たずに強制起動が可能です。 まぁ、結局は単なるServletなのですから、当たり前ですが… スケジュールの指定 参考 The Schedule Format - Scheduled Tasks With Cron for Java 指定可能なのは、下記2パターン。混在は出来ないようです。間隔を指定して実行例 1時間毎に実行 指定日の特定の時刻に実行例 毎日12 00に実行 間隔を指定して実行 下記の形式で指定 every N (hours|mins|minutes) ["from" (time) "to" (time)] 2時間毎に実行の場合 every 2 hours 10 00～14 00の間に、30分毎に実行の場合 every 30 minutes from 10 00 to 14 00 指定日の特定の時刻に実行 下記の形式で指定 ("every"|ordinal) (days) ["of" (monthspec)] (time) 毎日10 00に実行の場合 every day 10 00 Task Queue 参考 Java Task Queue Configuration Servletを非同期実行する仕組みです。主に、UIを伴わないバックグラウンド処理に利用されます。処理を非同期実行可能な単位に分割し、その単位をTaskとして実行させます。 具体的には、非同期実行したい処理を記述したServletに対応するURLを、設定ファイル(queue.xml)で定義したqueueにキューイングします。 キューイングされたURLは、とあるタイミングで取り出されて、リクエストが送出されます。キューからの取り出しをApp Engineに任せるのがPush Queue キューからの取り出しをアプリで指定(Task Queue APIまたはTask Queue REST API)するのがPull Queue 例外発生時にcatchしなかった場合、リトライされます。とは言え、無限にリトライすると、一気にインスタンス時間を消費するので、必ずqueue.xmlの retry-parameters でリトライの上限設定を行いましょう。 Task Queueから呼び出されることを想定しているURLは、外部から勝手に呼び出されないように、admin以外はアクセスできないようにしておきましょう(後述の「認証」を参照)。逆に言えば、管理者の場合は、ブラウザからURLを指定してリクエストを送出すれば、強制起動が可能です。 まぁ、これも結局は単なるServletなのですから、当たり前ですが… リトライ queue.xmlの retry-parameters でリトライの設定 queue-entries queue name testQueue /name retry-parameters task-retry-limit 5 /task-retry-limit /retry-parameters rate 1/s /rate /queue /queue-entries 上記のtestQueueでは、タスクで例外が発生した場合、最大5回のリトライが実施されます。 最大で、最初の1回+リトライ5回=6回実行されます。 task-retry-limit リトライ回数を設定します。5と指定すると、5回のリトライを試みます。 task-age-limit リトライ期間を設定します。例えば、"5d"と指定すると、最初のタスク起動から5日間、リトライを試みます。 task-retry-limit と task-age-limit を同時に指定した場合、両方のリミットに達しするまでリトライする、とありますが、実質 task-retry-limit が優先ですね。例え5日間経過しても、5回に達していなければリトライし続けるので。 min-backoff-seconds と max-backoff-seconds と max-doublings 次のリトライまでのインターバルを決定します。 インターバルは、リトライの度に増加します。1回目は10秒、2回目は20秒、3回目は40秒…、という感じです。 イマイチ、インターバルの計算方法がわかりません。実際に動かすと、予想通りの時間にならない…。 CronとTask Queueの使い分け サンプルとして、Webクローラを想定します。 Webクローラは、サイトA、サイトB、サイトCを巡回します。 サイトA、サイトB、サイトCは、それぞれ独立に巡回することが可能とします。 サイトA、サイトB、サイトCの巡回処理をタスクとして、それぞれの巡回処理を行うServletのURLを/crawlSiteA、/crawlSiteB、/crawlSiteCとします。 各巡回処理のタスクをキューイングする処理を行うServletのURLを/execCrawlersとします。具体的な/execCrawlersの処理は、/crawlSiteA、/crawlSiteB、/crawlSiteCをTask Queueにキューイングします。 Cronで、/execCrawlersを定期起動するようにします。 説明 もし、上記のような構成ではなく、全処理を/execCrawlersのみで構成した場合サイトAでエラーが発生した場合、サイトBやサイトCの巡回が実行されません。 Cronではリトライが無いので、エラーが発生しても、そのままです。 上記構成の場合は、/crawlSiteAでエラーが発生しても、/crawlSiteBや/crawlSiteCは独立して実行されます。 さらに、エラー発生したタスクについては、リトライが実施されます。 とはいえ、クローリングの無制限のリトライは、DoS攻撃に等しいので、リトライの上限を設けておきましょう。 Backends Backend Instanceを用いて、コードを実行させます。 backends.xml Java Backends Configuration Backendsの設定をbackends.xmlに記述します。 backends.xmlはWEB-INF直下に配置します。 backends backend name="test-instance" class B1 /class options dynamic true /dynamic /options /backend /backends 上記の場合、test-instanceというnameのBackend Instanceを定義します。インスタンスの名前は全て小文字じゃないと、deploy時に怒られます。 複数のBackend Instanceを定義したい場合は、 backend を並べていきます。 インスタンスのclassとしてB1を指定してます。classの種類についてはInstance Classesを参照 まぁ、課金しなければ、ほぼB1ですね。 インスタンスのタイプとしてDynamicを指定しています。インスタンスには、Resident(常駐型)とDynamic(動的起動型)の２種類があります。 詳しくはTypes of Backendsを参照 これもまぁ、課金しなければ、ほぼDynamicですね。 ようするに、上の設定は、一番ケチな設定です。 もうすこし詳しく Backendsの無料枠は9インスタンス時間B1を1時間稼動させる単位を1インスタンス時間とします。 classが1つあがる毎に、消費単位が2倍となります。 B2で1時間稼動させれば2インスタンス時間、B4の場合は4インスタンス時間となります。 Residentの場合、一度起動すると、手動でシャットダウンさせるまでずっと常駐しますそのため、リクエストに対してすぐに応答することができます。 そのため、インスタンス時間をどんどん消費していきます。無料枠でB1の場合、初期化される日本時間16 00から、9インスタンス時間後の25 00の間しか稼動しません。その後、再び初期化される16 00までは、そのインスタンスを利用することができません。 Dynamicの場合、リクエストがあったときに起動され、しばらくして不要になれば除去されます。そのため、リクエストがあったときにインスタンスが起動されていなければ、起動に時間がかかってしまいます。 そのため、インスタンス時間の消費量は必要な分だけになります。 試してみる Backendsだろうが、実行するコードはServlet(或いは、Servletベースのフレームワーク)です。今回はSlim3のControllerでサンプルを作ってみます。 今回は、/testInstanceというパスで作ってみました。 package jp.fujiyan.test.controller; import org.slim3.controller.Controller; import org.slim3.controller.Navigation; import com.google.appengine.api.backends.BackendService; import com.google.appengine.api.backends.BackendServiceFactory; public class TestInstanceController extends Controller { private BackendService service = BackendServiceFactory.getBackendService(); @Override public Navigation run() throws Exception { System.out.println(service.getCurrentBackend()); return null; } } 今回は、Cronで実行させるのが目的で、レスポンスを返す必要が無いので、run()の戻り値は不要です。Slim3 Plug-inの、build.xmlのgen-controller-without-viewで作れば手っ取り早いです。 BackendService#getCurrentBackend()は、コードを実行しているBackendsのインスタンスの名前を返します。コードがFrontendで実行されている場合はnullを返します。 ブラウザから、/testInstanceでアクセスした場合、Frontendsで上記Controllerが実行されます。Logには、下記の様に出力されます。 Frontendsなので、nullが出力されています。 2012-01-01 01 23 45.678 [xxxxx/1.358322054626724163]. stdout null Cronを使って、Backendsで実行 Cronで、Backendsで実行させる場合は、 target で実行させるBackendsのインスタンス名を指定します。 ?xml version="1.0" encoding="UTF-8"? cronentries cron url /testInstance /url description Backends Instance Test /description schedule every day 18 00 /schedule timezone Asia/Tokyo /timezone target test-instance /target /cron /cronentries 上記の場合、日本時間18 00に、test-instanceで/testInstanceに対応するControllerが実行されます。Logには、下記の様に出力されます。 今度は、Backend Instanceの名前である、test-instanceが出力されています。 2012-01-01 18 00 07.752 [xxxxx/test-instance.358322297746672704]. stdout test-instance Backend Instance実行のCronからのTask Queue呼び出し Task Queue呼び出しの際のInstanceは、キューイング元のInstanceになるっぽいです。なので、targetを指定せずに、Backend Instance実行のCronからTask Queueを呼び出した場合は、同じBackend Instanceでタスクが実行されます。 明示的にBackend Instanceそ指定して、Task Queue呼び出し 例えば、通常のWebブラウザからのリクエスト(Frontend Instance)から、Backend InstanceでTask Queueを実行したい場合は、URLのホスト名で、Backend Instanceを指定します。 通常、リクエストの際のURLは、http //[アプリ名].appspot.com/～ですが、これをhttp //[Backend Instance名].[アプリ名].appspot.com/～とすれば、指定したBackend Instanceでリクエストを処理します。例えば、http //test-instance.appname.appspot.com/testInstanceとすれば、test-instanceで/testInstanceに対応するControllerが実行されます。 つまり、通常のリクエストにおける、http //[アプリ名].appspot.com/～の形式は、インスタンスを指定しない→Default(Frontend) Instanceということですね。 LocaleとTimeZone GAEのデフォルトでは、Localeはen_US、TimeZoneはUTCです。但し、ローカルの開発環境では、LocaleはOSの設定のようです。日本ならja_JP。でも、TimeZoneはUTCです。 Locale.setDafault()は、アクセス制御により使用が禁止されていますが、TimeZone.setDefault()は利用可能なようです。 ということで、TimeZoneはFilterでsetDefault()でJSTにしておいたほうが、何かとシアワセかもしれません。 URL Fetch APIでキャッシュされてしまう 参考 Disable URLFetchService cache - Google App Engine for Java | Google グループ 下記のように、Cache-ControlとPragmaを設定して、キャッシュを無効にしてしまう String url = …; URLConnection connection = new URL(url).openConnection(); connection.addRequestProperty("Cache-Control", "no-cache,max-age=0"); connection.addRequestProperty("Pragma", "no-cache"); BufferedInputStream in = new BufferedInputStream(openConnection().getInputStream()); try { … } finally { in.close(); } 認証 参考 北海道を愛するプログラマの覚書 認証については、Googleアカウントを利用する。 よって、基本的にアプリ側で認証を実装する必要は無い。但し、後述の3種類の権限よりも細かく制御したい場合には実装が必要。 アクセス権限については、次の3種類A)Googleアカウントへのログイン不要(全公開) B)Googleアカウントへのログイン必要(一般権限) C)Googleアカウントへのログイン必要(管理者権限) 上記A)については、特に設定は不要。 上記B)またはC)については、web.xmlの security-constraint に記述を行う。 B)またはC)でアクセス制限したいURLパターンを url-pattern に記述する。 B)に対して許可する場合は role-name * /role-name と記述する。 C)に対して許可する場合は role-name admin /role-name と記述する。Googleアカウントに対して管理者権限を与えるには、アプリの管理メニューで指定する。 下記は、URLが/member/で始まるコンテンツは、Googleアカウントにログインした人のみアクセス可能で、/admin/で始まるコンテンツは、Googleアカウントにログインした人の内、管理者権限を持っている人のみがアクセス可能となる。 security-constraint web-resource-collection url-pattern /member/* /url-pattern /web-resource-collection auth-constraint role-name * /role-name /auth-constraint /security-constraint security-constraint web-resource-collection url-pattern /admin/* /url-pattern /web-resource-collection auth-constraint role-name admin /role-name /auth-constraint /security-constraint OpenIDによる認証 参考 xfanの日記 hidemonの日記 OpenIDを使えば、Googleアカウント以外のOpenIDプロバイダを利用できます。 mixi Yahoo! はてな 等々 アプリケーションの設定 AdminConsoleにて、アプリケーションの作成時、作成後ならばApplication Settingsにて、 [Authentication Options]を"Federated Login"に設定しておきます。 /_ah/login_required 認証がされていない状態で、前述の security-constraint で保護されたURLにアクセスすると、 /_ah/login_requiredへリダイレクトされます。この動作はAppEngineで用意されているものなのですが、 肝心の/_ah/login_requiredのリクエストを処理するサーブレットは自前で用意する必要があります。 通常は、この/_ah/login_requiredのリクエストを処理するサーブレットで、OpenIDプロバイダの選択画面を表示します。 また、/_ah/login_requiredにリダイレクトされた際に、パラメータcontinueには、最初にリクエストされた、保護されたURLが格納されているので、 OpenIDプロバイダへのリクエスト時に、同様にパラメータcontinueにそのURLを設定することで、OpenIDプロバイダ側での認証完了後に、 continueに設定されたURLにリダイレクトしてくれます。 Slim3の場合 Slim3の場合は、/_ah/login_requiredにControllerを割り当てることができます。 [パッケージルート].controllerに、AddRouterクラスを作成します。 package jp.fujiyan.controller; import org.slim3.controller.router.RouterImpl; public class AppRouter extends RouterImpl { public AppRouter() { addRouting("/_ah/login_required", "/loginRequired"); } } AppRouter#addRouting()を使うことで、第1引数で指定したURLへのリクエストで、第2引数で指定したURLをハンドルするControllerが呼び出されるようになります。 上記の場合、/_ah/login_requiredへのリクエストで、/loginRequeredをハンドルする、jp.fujiyan.controller.LoginRequiredControllerが呼び出されます。 ローカルのDatastoreのデータを削除 参考プログラマ的京都生活 /war/WEB-INF/appengine-generated/local_db.binを削除して、同名のファイルを新規作成する。 削除直後のアクセスで"Failed to load from the backing store"というログとともにスタックとレースがでるけど気にしない ローカルテスト環境での管理コンソール http //localhost 8888/_ah/adminで、ローカルテスト環境の管理コンソールにアクセスできます。主に、Datastore Viewerで、ローカルのDatastoreが閲覧したい場合に。 つうか、つい最近までコイツの存在を知りませんでした…。 /work/は使わないほうがいい パス/work/を実現しようとして、/war/work/というディレクトリを作ると、Jettyがテンポラリファイルをそこに作成してしまい、何かと面倒くさいです。 ロギング まぁ、Log4Jは使えるけど、たとえばwarn()でログ出力しても、Administration Console上ではWarningとしては扱ってくれません。Info扱いですね。 ということで、管理面を考えると、Log4Jは使わずに、おとなしく標準ロギングAPIを使ったほうが良いのですかね。 なので、下記の記事は、参考までに… Log4Jを使うには 参考 I can't commons-loggingのjarファイルをwar/WEB-INF/libにコピー log4Jのjarファイルをwar/WEB-INF/libにコピー war/WEB-INF/appengine-web.xmlの system-properties にorg.apache.commons.logging.Logを追加する system-properties ... property name="org.apache.commons.logging.Log" value="org.apache.commons.logging.impl.Log4JLogger"/ ... /system-properties srcにlog4j.propertiesまたはlog4j.xmlを置き、内容を利用したい設定に変更する 新規プロジェクト作成時には、デフォルトでlog4j.propertiesが作成されるが、DataNucleusのログ設定しかないので、修正が必要 war/WEB-INF/logging.propertiesは不要なので削除してもよい。 削除の際には、war/WEB-INF/appengine-web.xmlの system-properties のjava.util.logging.config.fileも削除する JDOを使わない場合 参考 Song of Cloud プロジェクトのプロパティダイアログを開き(プロジェクトを選択して、右クリック→[Properties])、[Builders]の[Configure the builders for the project]で、[Enhancer]のチェックをOFFにするJDO向けのモデル拡張を行うプロセス。チェックしていると処理が実行されるので外しておく。 src/META-INF/jdoconfig.xmlを削除JDOの設定ファイル。不要なので削除する。 GAEでStruts2 GAEでStruts2
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Market Overview The Business Analytics Industry is projected to grow at a substantial CAGR during the forecast period. As per the business analytics market research report, the global market for business analytics is projected to grow swiftly. According to analysts, the enormous volumes of digital data as well as continuous developments in business analytics tools will drive the market growth during the forecast period. The business analytics market research report offers a comprehensive analysis of the global business analytics market and its application, end-user, industry, service, software, deployment, and region segments. The lack of awareness along with reluctance in adoption are the elements that could influence the business analytics market advancement throughout the forecast period. The business analytics market research report by expert analysts is developed to assist organizations in the business analytics market. 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The business analytics market research report provides an extensive understanding of the business analytics market based on the information and forecasts till 2023. Regional Analysis North America, Europe, Asia Pacific and the rest of the world regional market for business analytics are predominantly covered in the global business analytics market research report. Country-level business analytics markets spread across North America – the United States, Canada, and Mexico are also covered in the report. In South America – Brazil and other country-level business analytics markets are covered in the report. In Asia-Pacific (APAC) region, the country-level business analytics markets covered are Japan, India, China, and others. The business analytics market research report also explores the regional market for business analytics present in Europe in the United Kingdom, France, Italy, Spain, and Germany, etc. The business analytics market research report also covers regional markets from the rest of the world alongside business analytics markets of Africa and the Middle East. Industry News The flagship Viya artificial intelligence, analytical and data processing platform is now available as a cloud-based, cloud-based carrier, which runs on Azure Cloud Platform, integrated with Azure S services. SAS is the provider of large-scale data analysis applications. Tuesday, SAS said that the latest containerized version of Viya is immediately available for Azure and supports other cloud platforms, such as AWS, Google Cloud Platform and Red Hat OpenShift. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/business-analytics-market-6698 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure 3Market Research Methodology 3.1Research Process 3.2Secondary Research 3.3Primary Research 3.4Forecast Model Continued…. Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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https://w.atwiki.jp/android-reference/pages/18.html
A B コメント A AbortableHttpRequest 基礎的なHTTP接続を停止することで強制終了させることが出来るHTTP要求を表すインターフェース. Interface representing an HTTP request that can be aborted by shutting down the underlying HTTP connection. AbsListView Base class that can be used to implement virtualized lists of items. AbsListView.LayoutParams AbsListView extends LayoutParams to provide a place to hold the view type. AbsListView.OnScrollListener Interface definition for a callback to be invoked when the list or grid has been scrolled. AbsListView.RecyclerListener A RecyclerListener is used to receive a notification whenever a View is placed inside the RecycleBin s scrap heap. AbsoluteLayout This class is deprecated. Use FrameLayout, RelativeLayout or a custom layout instead. AbsoluteLayout.LayoutParams Per-child layout information associated with AbsoluteLayout. AbsoluteSizeSpan AbsSavedState A Parcelable implementation that should be used by inheritance hierarchies to ensure the state of all classes along the chain is saved. AbsSeekBar AbsSpinner An abstract base class for spinner widgets. AbstractAuthenticationHandler AbstractClientConnAdapter Abstract adapter from operated to managed client connections. AbstractCollection E Class AbstractCollection is an abstract implementation of the Collection interface. AbstractConnPool An abstract connection pool. AbstractCookieAttributeHandler AbstractCookieSpec Abstract cookie specification which can delegate the job of parsing, validation or matching cookie attributes to a number of arbitrary CookieAttributeHandlers. AbstractCursor This is an abstract cursor class that handles a lot of the common code that all cursors need to deal with and is provided for convenience reasons. AbstractCursor.SelfContentObserver Cursors use this class to track changes others make to their URI. AbstractExecutorService Provides default implementation of ExecutorService execution methods. AbstractHttpClient Convenience base class for HTTP client implementations. AbstractHttpClientConnection Abstract client-side HTTP connection capable of transmitting and receiving data using arbitrary SessionInputBuffer and SessionOutputBuffer AbstractHttpEntity Abstract base class for entities. AbstractHttpMessage Basic implementation of an HTTP message that can be modified. AbstractHttpParams Abstract base class for parameter collections. AbstractHttpServerConnection Abstract server-side HTTP connection capable of transmitting and receiving data using arbitrary SessionInputBuffer and SessionOutputBuffer AbstractInputMethodService AbstractInputMethodService provides a abstract base class for input methods. AbstractInputMethodService.AbstractInputMethodImpl Base class for derived classes to implement their InputMethod interface. AbstractInputMethodService.AbstractInputMethodSessionImpl Base class for derived classes to implement their InputMethodSession interface. AbstractInterruptibleChannelAbstractInterruptibleChannel is the root class for interruptible channels. AbstractList E AbstractList is an abstract implementation of the List interface, optimized for a backing store which supports random access. AbstractMap K, V This class is an abstract implementation of the Map interface. AbstractMessageParser Message parser base class. AbstractMessageWriter AbstractMethodError Thrown by the virtual machine when an abstract method is called. AbstractPooledConnAdapter Abstract adapter from pool entries to managed client connections. AbstractPoolEntry A pool entry for use by connection manager implementations. AbstractPreferences This abstract class is a partial implementation of the abstract class Preferences, which can be used to simplify Preferences provider s implementation. AbstractQueue E AbstractQueue is an abstract class which implements some of the methods in Queue. AbstractQueuedSynchronizer Provides a framework for implementing blocking locks and related synchronizers (semaphores, events, etc) that rely on first-in-first-out (FIFO) wait queues. AbstractQueuedSynchronizer.ConditionObject Condition implementation for a AbstractQueuedSynchronizer serving as the basis of a Lock implementation. AbstractSelectableChannel AbstractSelectableChannel is the base implementation class for selectable channels. AbstractSelectionKey AbstractSelectionKey is the base implementation class for selection keys. AbstractSelector AbstractSelector is the base implementation class for selectors. AbstractSequentialList E AbstractSequentialList is an abstract implementation of the List interface. AbstractSessionInputBuffer Abstract base class for session input buffers that stream data from a InputStream. AbstractSessionOutputBuffer Abstract base class for session output buffers that stream data to an OutputStream. AbstractSet E An AbstractSet is an abstract implementation of the Set interface. AbstractVerifier Abstract base class for all standard X509HostnameVerifier implementations. AbstractWindowedCursor A base class for Cursors that store their data in CursorWindows. AccelerateDecelerateInterpolator An interpolator where the rate of change starts and ends slowly but accelerates through the middle. AccelerateInterpolator An interpolator where the rate of change starts out slowly and and then accelerates. AccessControlContext AccessControlContext encapsulates the ProtectionDomains on which access control decisions are based. AccessControlException AccessControlException is thrown if the access control infrastructure denies protected access due to missing permissions. AccessController AccessController provides static methods to perform access control checks and privileged operations. AccessibilityEvent This class represents accessibility events that are sent by the system when something notable happens in the user interface. AccessibilityEventSource This interface is implemented by classes source of AccessibilityEvents. AccessibilityManager System level service that serves as an event dispatch for AccessibilityEvents. AccessibilityService An accessibility service runs in the background and receives callbacks by the system when AccessibilityEvents are fired. AccessibilityServiceInfo This class describes an AccessibilityService. AccessibleObject AccessibleObject is the superclass of all member reflection classes (Field, Constructor, Method). Acl The Access Control List (ACL) interface definition. AclEntry The Access Control List Entry interface definition. AclNotFoundException The exception, that is thrown when a reference to a non-existent Access Control List (ACL) is made. Activity An activity is a single, focused thing that the user can do. ActivityGroup A screen that contains and runs multiple embedded activities. ActivityInfo Information you can retrieve about a particular application activity or receiver. ActivityInstrumentationTestCase T extends Activity This class is deprecated. new tests should be written using ActivityInstrumentationTestCase2, which provides more options for configuring the Activity under test ActivityInstrumentationTestCase2 T extends Activity This class provides functional testing of a single activity. ActivityManager Interact with the overall activities running in the system. ActivityManager.MemoryInfo Information you can retrieve about the available memory through getMemoryInfo(ActivityManager.MemoryInfo). ActivityManager.ProcessErrorStateInfo Information you can retrieve about any processes that are in an error condition. ActivityManager.RecentTaskInfo Information you can retrieve about tasks that the user has most recently started or visited. ActivityManager.RunningAppProcessInfo Information you can retrieve about a running process. ActivityManager.RunningServiceInfo Information you can retrieve about a particular Service that is currently running in the system. ActivityManager.RunningTaskInfo Information you can retrieve about a particular task that is currently "running" in the system. ActivityNotFoundException This exception is thrown when a call to startActivity(Intent) or one of its variants fails because an Activity can not be found to execute the given Intent. ActivityTestCase This is common code used to support Activity test cases. ActivityUnitTestCase T extends Activity This class provides isolated testing of a single activity. Adapter An Adapter object acts as a bridge between an AdapterView and the underlying data for that view. AdapterView T extends Adapter An AdapterView is a view whose children are determined by an Adapter. AdapterView.AdapterContextMenuInfo Extra menu information provided to the onCreateContextMenu(ContextMenu, View, ContextMenuInfo) callback when a context menu is brought up for this AdapterView. AdapterView.OnItemClickListener Interface definition for a callback to be invoked when an item in this AdapterView has been clicked. AdapterView.OnItemLongClickListener Interface definition for a callback to be invoked when an item in this view has been clicked and held. AdapterView.OnItemSelectedListener Interface definition for a callback to be invoked when an item in this view has been selected. Address A class representing an Address, i.e, a set of Strings describing a location. Adler32 The Adler-32 class is used to compute the Adler32 checksum from a set of data. AlarmManager This class provides access to the system alarm services. AlertDialog A subclass of Dialog that can display one, two or three buttons. AlertDialog.Builder AlgorithmParameterGenerator AlgorithmParameterGenerator is an engine class which is capable of generating parameters for the algorithm it was initialized with. AlgorithmParameterGeneratorSpi AlgorithmParameterGeneratorSpi is the Service Provider Interface (SPI) definition for AlgorithmParameterGenerator. AlgorithmParameters AlgorithmParameters is an engine class which provides algorithm parameters. AlgorithmParameterSpec The marker interface for algorithm parameter specifications. AlgorithmParametersSpi AlgorithmParametersSpi is the Service Provider Interface (SPI) definition for AlgorithmParameters. AliasActivity Stub activity that launches another activity (and then finishes itself) based on information in its component s manifest meta-data. AlignmentSpan AlignmentSpan.Standard AllClientPNames Collected parameter names for the HttpClient module. AllocationLimitError Is thrown when an allocation limit is exceeded. AllowAllHostnameVerifier The ALLOW_ALL HostnameVerifier essentially turns hostname verification off. AllPermission AllPermission represents the permission to perform any operation. AlphaAnimation An animation that controls the alpha level of an object. AlphabetIndexer A helper class for adapters that implement the SectionIndexer interface. AlreadyConnectedException An AlreadyConnectedException is thrown when an attempt is made to connect a SocketChannel that is already connected. AlteredCharSequence An AlteredCharSequence is a CharSequence that is largely mirrored from another CharSequence, except that a specified range of characters are mirrored from a different char array instead. AnalogClock This widget display an analogic clock with two hands for hours and minutes. AndroidCharacter AndroidCharacter exposes some character properties that are not easily accessed from java.lang.Character. AndroidException Base class for all checked exceptions thrown by the Android frameworks. AndroidRuntimeException Base class for all unchecked exceptions thrown by the Android frameworks. AndroidTestCase Extend this if you need to access Resources or other things that depend on Activity Context. AndroidTestRunner Animatable Interface that drawables suporting animations should implement. Animation Abstraction for an Animation that can be applied to Views, Surfaces, or other objects. Animation.AnimationListener An animation listener receives notifications from an animation. Animation.Description Utility class to parse a string description of a size. AnimationDrawable An object used to create frame-by-frame animations, defined by a series of Drawable objects, which can be used as a View object s background. AnimationSet Represents a group of Animations that should be played together. AnimationUtils Defines common utilities for working with animations. AnnotatedElement This interface provides reflective access to annotation information. Annotation Annotations are simple key-value pairs that are preserved across TextView save/restore cycles and can be used to keep application-specific data that needs to be maintained for regions of text. Annotation Defines the interface implemented by all annotations. Annotation Wrapper for a text attribute value which represents an annotation. AnnotationFormatError Indicates that an annotation in the binary representation of a class is syntactically incorrect and the annotation parser is unable to process it. AnnotationTypeMismatchException Indicates that an annotation type has changed since it was compiled or serialized. AnticipateInterpolator An interpolator where the change starts backward then flings forward. AnticipateOvershootInterpolator An interpolator where the change starts backward then flings forward and overshoots the target value and finally goes back to the final value. Appendable Declares methods to append characters or character sequences. Application Base class for those who need to maintain global application state. ApplicationInfo Information you can retrieve about a particular application. ApplicationInfo.DisplayNameComparator ApplicationTestCase T extends Application This test case provides a framework in which you can test Application classes in a controlled environment. AppWidgetHost AppWidgetHost provides the interaction with the AppWidget service for apps, like the home screen, that want to embed AppWidgets in their UI. AppWidgetHostView Provides the glue to show AppWidget views. AppWidgetManager Updates AppWidget state; gets information about installed AppWidget providers and other AppWidget related state. AppWidgetProvider A convenience class to aid in implementing an AppWidget provider. AppWidgetProviderInfo Describes the meta data for an installed AppWidget provider. ArcShape Creates an arc shape. ArithmeticException Thrown when the an invalid arithmetic operation is attempted. Array This class provides static methods to create and access arrays dynamically. Array A Java representation of the SQL ARRAY type. ArrayAdapter T A ListAdapter that manages a ListView backed by an array of arbitrary objects. ArrayBlockingQueue E A bounded blocking queue backed by an array. ArrayIndexOutOfBoundsException Thrown when the an array is indexed with a value less than zero, or greater than or equal to the size of the array. ArrayList E ArrayList is an implementation of List, backed by an array. Arrays Arrays contains static methods which operate on arrays. ArrayStoreException Thrown when a program attempts to store an element of an incompatible type in an array. ArrowKeyMovementMethod Assert A set of assert methods. AssertionError Thrown when an assertion has failed. AssertionFailedError Thrown when an assertion failed. AssertionFailedError Thrown when an assertion failed. AssetFileDescriptor File descriptor of an entry in the AssetManager. AssetFileDescriptor.AutoCloseInputStream An InputStream you can create on a ParcelFileDescriptor, which will take care of calling ParcelFileDescritor.close() for you when the stream is closed. AssetFileDescriptor.AutoCloseOutputStream An OutputStream you can create on a ParcelFileDescriptor, which will take care of calling ParcelFileDescritor.close() for you when the stream is closed. AssetManager Provides access to an application s raw asset files; see Resources for the way most applications will want to retrieve their resource data. AssetManager.AssetInputStream AsynchronousCloseException An AsynchronousCloseException is thrown when the underlying channel for an I/O operation is closed by another thread. AsyncPlayer Plays a series of audio URIs, but does all the hard work on another thread so that any slowness with preparing or loading doesn t block the calling thread. AsyncQueryHandler A helper class to help make handling asynchronous ContentResolver queries easier. AsyncQueryHandler.WorkerArgs AsyncQueryHandler.WorkerHandler AsyncTask Params, Progress, Result AsyncTask enables proper and easy use of the UI thread. AsyncTask.Status Indicates the current status of the task. AtomicBoolean A boolean value that may be updated atomically. AtomicInteger An int value that may be updated atomically. AtomicIntegerArray An int array in which elements may be updated atomically. AtomicIntegerFieldUpdater T A reflection-based utility that enables atomic updates to designated volatile int fields of designated classes. AtomicLong A long value that may be updated atomically. AtomicLongArray A long array in which elements may be updated atomically. AtomicLongFieldUpdater T A reflection-based utility that enables atomic updates to designated volatile long fields of designated classes. AtomicMarkableReference V An AtomicMarkableReference maintains an object reference along with a mark bit, that can be updated atomically. AtomicReference V An object reference that may be updated atomically. AtomicReferenceArray E An array of object references in which elements may be updated atomically. AtomicReferenceFieldUpdater T, V A reflection-based utility that enables atomic updates to designated volatile reference fields of designated classes. AtomicStampedReference V An AtomicStampedReference maintains an object reference along with an integer "stamp", that can be updated atomically. Attr The Attr interface represents an attribute in an Element object. AttributedCharacterIterator Extends the CharacterIterator interface, adding support for iterating over attributes and not only characters. AttributedCharacterIterator.Attribute Defines keys for text attributes. AttributedString Holds a string with attributes describing the characters of this string. AttributeList This interface is deprecated. This interface has been replaced by the SAX2 Attributes interface, which includes Namespace support. AttributeListImpl This class is deprecated. This class implements a deprecated interface, AttributeList; that interface has been replaced by Attributes, which is implemented in the AttributesImpl helper class. Attributes The Attributes class is used to store values for manifest entries. Attributes Interface for a list of XML attributes. Attributes.Name The name part of the name/value pairs constituting an attribute as defined by the specification of the JAR manifest. Attributes2 SAX2 extension to augment the per-attribute information provided though Attributes. Attributes2Impl SAX2 extension helper for additional Attributes information, implementing the Attributes2 interface. AttributeSet A collection of attributes, as found associated with a tag in an XML document. AttributesImpl Default implementation of the Attributes interface. AudioFormat The AudioFormat class is used to access a number of audio format and channel configuration constants. AudioManager AudioManager provides access to volume and ringer mode control. AudioRecord The AudioRecord class manages the audio resources for Java applications to record audio from the audio input hardware of the platform. AudioRecord.OnRecordPositionUpdateListener Interface definition for a callback to be invoked when an AudioRecord has reached a notification marker set by setNotificationMarkerPosition(int) or for periodic updates on the progress of the record head, as set by setPositionNotificationPeriod(int). AudioTrack The AudioTrack class manages and plays a single audio resource for Java applications. AudioTrack.OnPlaybackPositionUpdateListener Interface definition for a callback to be invoked when the playback head position of an AudioTrack has reached a notification marker or has increased by a certain period. AUTH Constants and static helpers related to the HTTP authentication. AuthenticationException Signals a failure in authentication process AuthenticationHandler Authenticator An implementation of this class is able to obtain authentication information for a connection in several ways. Authenticator.RequestorType Enumeration class for the origin of the authentication request. AuthParamBean AuthParams This class implements an adaptor around the HttpParams interface to simplify manipulation of the HTTP authentication specific parameters. AuthPermission Governs the use of methods in this package and also its subpackages. AuthPNames Parameter names for HttpAuth. AuthPolicy AuthProvider AuthProvider is an abstract superclass for Java Security Provider which provide login and logout. AuthScheme This interface represents an abstract challenge-response oriented authentication scheme. AuthSchemeBase Abstract authentication scheme class that serves as a basis for all authentication schemes supported by HttpClient. AuthSchemeFactory AuthSchemeRegistry Authentication scheme registry that can be used to obtain the corresponding authentication scheme implementation for a given type of authorization challenge. AuthScope The class represents an authentication scope consisting of a host name, a port number, a realm name and an authentication scheme name which Credentials apply to. AuthState This class provides detailed information about the state of the authentication process. AutoCompleteTextView An editable text view that shows completion suggestions automatically while the user is typing. AutoCompleteTextView.Validator This interface is used to make sure that the text entered in this TextView complies to a certain format. AutoText This class accesses a dictionary of corrections to frequent misspellings. AvoidXfermode AvoidXfermode xfermode will draw the src everywhere except on top of the opColor or, depending on the Mode, draw only on top of the opColor. AvoidXfermode.Mode B コメント ぬいた(ﾉﾟДﾟ)ﾉｼ★ http //s.64n.co/ -- (age) 2011-12-29 13 42 53 風俗店を探よりココ！！男性は報酬あり！(*´ｪ`*)→ http //sns.b8y.in/ -- (千春) 2012-08-21 02 37 48 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/oper/pages/2233.html
第Ⅲ部 第９景 （帰営の太鼓とラッパが鳴っている） ファウストのアリア （マルグリートの部屋、夕暮れ） ファウスト 甘き夕暮れ、良き訪れ、 黄昏の光、あたりを包む。 うるわしい夢、我が前に揺らぐ、 爽やかな朝の口づけのように。 これこそ、焦がれし思い。 あ、憂いは すべて消え去る！ ここの静けさ、かぐわしき そよ風！ 年若く、うるわしき、 我が理想の乙女！ 奇しき定めか、この喜び！ 密かに眺める、君が寝床！ かぐわしき風！ 主よ、主よ、 悩み（別訳：苦しみ）の後に、 幸せ来たるや！ 主よ、主よ、 苦しみの後に、 幸せ（別訳：安らぎ）を。 （ファウストはゆっくり歩きまわり、マルグリートの部屋の内部を好奇心いっぱいで検分する） 第１０景 メフィストフェレス （慌ててやって来て） 来たぞ！ （小声で） この絹のカーテンの陰に 早く。 ファウスト （小声で） 神よ、胸が破れそうです！ メフィストフェレス うまくやってくださいよ。 では、落ち着いて、 しっかりと。 （メフィストフェレスはファウストをカーテンの陰に隠す） さて、私らはここで、 あんた達に祝いの歌を歌うとしよう。 （出て行く） ファウスト さ、落ち着くのだ！ 第１１景 （ランプを手にしてマルグリートが入って来る。ファウストは隠れる） マルグリート 息苦しいわ！何だか怖いわ。 夕べ見た夢が心配だわ… 私の夢に（別訳：素晴らしいお方）…未来の我が恋人。 素晴らしい…あ、あの方は私を、愛していた！ 私もあの方を！ この世では会え ないのかしら？ おかしいわ！… 中世の歌：トゥーレの王の物語 マルグリート （髪を三つ編みにしながら歌う） 昔トゥーレに王ありき、 変わらぬ愛を誓う。 妃はみまかりぬ、 黄金（こがね）の杯残して。 片時も離さず、 宴の酒汲む、 今宵もそれを眺めて 涙に頬を濡らす。 死の日近きを知り、 すべてみな譲れど、 杯のみは 留め置かれて離さず。 今宵の宴に、 騎士らは居並ぶ、 海に臨める城の 王座を巡りて。 飲み干す杯 これぞ命の火ぞ、 杯手に出で立ち 潮（しお）に投げ打つ。 水は泡立ちて、 またもとの静けさ。 老いたる王はそれより、 絶えて飲むことなし。 （肘掛椅子に身を沈める） 昔王あり… 変わらぬ…変わらぬ… （深いため息） あ！ （眠りにつく） 第１２景 （マルグリートの家の前の通り） メフィストの呪文 メフィストフェレス 揺らめく鬼火の精よ、 出て来い！用があるのだ。 出て来い！早く！ 気紛れな鬼火ども、お前の暗い光で 娘に魔法をかけ、ここへ連れて来い。 悪魔の名のもとに、踊れ！ さ、もっと拍子を揃え、 うまくやらぬと、消してしまうぞ。 鬼火のメヌエット （鬼火たちはマルグリートの家の周りを飛び回り、奇妙な踊りを披露する） メフィストフェレス （手回しオルガンを演奏する男の動きをしながら） ではここで、 あの娘のために道徳的な歌を、 確かにおちるために。 メフィストのセレナード （鬼火の合唱） メフィストフェレス 好きな男の うちの前で、夜明け前だとゆうのに、 娘さん、 何故こんな早く？お前、何を、してる？ 男の部屋 でのお楽しみ、 たとえ行（ゆ）きには、生娘だとて、 帰りにはもう、おぼこじゃない。 好きな男の、等々 鬼火の合唱 してる？ （乾いた甲高い笑い声を爆発させて） わっ！ メフィストフェレス 腕を広げる、 男の胸に、お前は 身を投げる。 ではこれで、 可愛い娘さん、 ではお休み、ではお休み！ 鬼火の合唱 ではお休み！ メフィストフェレス、鬼火 まだゆめゆめ 身は許すまい、 約束の指輪、受け取るまでは、 うかつにはその身を、許すまいぞ！ メフィストフェレス もし許して しまえば最後、それで捨て られておさらば。 ではこれで、 可愛い娘さん、 ではお休み、ではお休み！ 鬼火の合唱 もし許してしまえば、 それが最後だ、 それで捨てられておさらば、 それで終わり、 すぐ捨てられ、 それで終わり、 ではお休み！ メフィストフェレス シッ！消えろ！ （鬼火が消える） 静かに！さて恋人どもを見にゆこうか。 第１３景 （マルグリートの部屋） 終曲：二重唱、三重唱と合唱 マルグリート （ファウストを見て） 神様！ あたし、今、何を、見てるのかしら？ ファウスト うるわしい君の面影 み使いのように私を捉えた、 愛なればこそ闇打ち払い 今、雲も晴れた、愛の勝利よ。 マルグリート、君を！ マルグリート お名前は、前から 存じています！ （おずおずと） フォースト！… ファウスト お望みなら、 ほかの名前でも構いませぬ。 マルグリート 夢の中でも、そのお姿。 ファウスト 夢の！…中で？ マルグリート そのお声も 覚えています。 ファウスト 私を？ マルグリート この…時を。 ファウスト マルグリット、私を！ マルグリート もうとうにすべてを あなたに。 ファウスト 愛するマルグリート！ マルグリート （ファウストと共に） 気高い、そのお姿は、… ファウスト （マルグリートと共に） あ！うるわしい 君の面影… マルグリート、ファウスト （一緒に） …み使いのように、私を捉えた！ 愛なればこそ、闇打ち払い 今、雲も晴れた、愛の勝利よ。 雲は晴れて、我が勝利。 ファウスト （勢い込んで） 優しいマルグリート！ マルグリート 心を溶かす… ファウスト 燃えるような陶酔… マルグリート すべてをあなたの手に。 ファウスト …激情に身をゆだねて。 マルグリート、おいで！ マルグリート 私をあなたに… ファウスト 愛の喜びに… マルグリート …惹きつけるのは …愛の陶酔。 ファウスト 身をまかせよう。 マルグリート 悩ましいこの胸の思い！ ファウスト 幸せはすべてここに、 さあ！ マルグリート 涙で… ファウスト さあ！ マルグリート 何も… 見えませぬ…もう…死にそうで… もう、だめ… ファウスト さあ！さあ！さあ！ さあ！さあ！ 第１４景 三重唱と村人の合唱 メフィストフェレス （突然現れて） もう、行（ゆ）かねば！ マルグリート あの人は？ ファウスト 悪魔だ。 メフィストフェレス 友達さ。 マルグリート あの目は 胸に刺さるような。 メフィストフェレス お邪魔しますよ… ファウスト 何しに来た？ ファウスト 娘を助けに！ 近所の人たち、歌で目を覚まし、 この家の周りに集まり、 嘲り笑い、娘の母を、 呼びに行ったぞ… ファウスト 神様！ メフィストフェレス 出掛けよう！ ファウスト 忌々しい（別訳：くそくらえ）！ メフィストフェレス 明日があるさ、いいことの後には 悪いこともあろう。 マルグリート ではまた明日！ 隣りの部屋で 音がするわ。 ファウスト さよなら、お休み なごりは尽きぬが、 愛の宴は終わった さらば愛の誓いよ！ メフィストフェレス 行（ゆ）こう、夜明けだ！ ファウスト またお目にかかれましょうか、 時の流れの速さよ、 我が幸せは束の間の夢！ 我が幸せは束の 間の夢か、我が幸せは！ 村人たち （通りで） Holà! おふくろさん、これはどうゆうこった！ メフィストフェレス 人が来たぞ。 村人たち 気をつけなければ、 男が夜中に… メフィストフェレス 早く逃げよう！ 村人たち …すぐに子供がひとり増えるぞ。 Holà! マルグリート あ！ 村人たち Holà! マルグリート あ！あの声は？ 見つけられたなら 私は死ぬわ！ メフィストフェレス さあ、早く逃げろ！ ファウスト だめだ！ メフィストフェレス 急いで！ マルグリート 急いで、庭から、 早く逃げて。 ファウスト ではまた、明日（あした）！ メフィストフェレス 明日（あす）だ、明日だ！ （三人一緒に） ファウスト この世の快楽のすべては、 今ぞこの手に、この幸せ、離すまい。 その喜びに胸は高鳴る、 我が心は喜びに満たされ、 その願いは叶えられよう。 この世の快楽のすべては、 今ぞこの手に、この幸せ、離すまい。 その喜びに胸は高鳴る、 喜びに胸は高鳴る、 我が夢、我が夢叶えられる、 我が夢叶えられる。 その喜びに胸は高鳴る、 我が願いは今ぞ。 メフィストフェレス これが生きる喜び、 俺（別訳：わし）に、時は近いぞ、 これでお前は俺のものだ。 満たされぬ思いに、 果てしなき闇路を彷徨う。 恋の闇路をひとり彷徨え。 約束の時、もはや目の前、 俺のものだ、俺のものだ。 生きる力、生きる喜び、 俺に任せておけ、 これでやつは俺のものだ。 時は近いぞ、もう逃げられぬ。 果てしなき闇路を彷徨う。 さあ時は近いぞ、もう逃げられぬ。 時は近いぞ、もう逃げられぬ。 時は近い、逃げられぬぞ、 もう目の前に。 さあ時は来た、その魂は、 俺のものだ。 マルグリート 我がフォースト（別訳：あなた）、愛しいお方、この胸は高鳴る！ 我が心は喜びに満たされ、 あなたを失うならば死ぬわ！ 愛しいあなた、あなたの命、我がフォースト！ 愛しいお方、何もかもすべて あなたなくば、あ！あなたなくば、死ぬわ！ 我が命はあなたに捧げる、 あなた、あなたにすべてを、 捧げる、あなたなければ死ぬわ！ 村人たち （通りで） 男が夜中に、 すぐに子供がひとり増えるぞ。 Holà! おふくろさん、これはどうしたこと！ おい、おかみさん、Holà! マルグリート もしあなたを失うなら、私は 死ぬわ！あ！死ぬわ！ 失えば死ぬわ！ ファウスト 我が願いは叶えられた、 願いは叶えられた、願いは 願いは叶えられた。 メフィストフェレス 時は近い、時は近い、逃げられぬぞ、 時は近い、時は近い、 お前は、俺のもの。 第Ⅳ部 第１５景 （マルグリートの部屋） マルグリートの恋歌（ロマンス） マルグリート （ひとり） 安らぎは消え、 胸は重し。 あ、我が安らぎは 今はいずこ（別訳：とわに返らじ）！ 君のいまさずば いずこも墓場、 この世も我には ただ暗闇（別訳：ただ疎まし）。 哀れな心 ただ狂おしく、 千々に乱れて、 あさの如くに。 かの君の歩み、 気高き姿、 君が微笑み、 その目の力、 語るその声、 我を抱（いだ）きしめる、 腕の力強さよ、 その、くちづけ、 安らぎは消え、 胸は重し！ あ！我が安らぎは 今はいずこ（別訳：とはに返らじ）！ 窓辺に寄りて、 夜も昼も、 その訪れを、 待ち寝もやらず。 その時を思えば 胸は高鳴り、 かの人を我が 胸に抱（いだ）き、 よしやこの身は、 燃え尽きるとも わが思い満たさ れるまで熱き、 愛のくちづけを かの人の愛のくちづけ！ （帰営の太鼓とラッパが鳴っている。兵士と学生の合唱が遠くから聞こえてくる） 兵士の合唱 （舞台裏で） ラッパが鳴れば、 兵士たち 敵目指して 突撃だ。 マルグリート すぐに町中が寝静まるでしょう… 兵士たち 手のかかるほど、 手を焼くほど、 戦果もでかい。 マルグリート 夜の太鼓と、楽しい歌声が 聞こえてくるわ、 愛の女神があの方を連れてきた夜のように。 学生の歌 （遠くで） Jam nox stellata velamina pandit… マルグリート あの方は来ないわ… 学生の歌 Per urbem quaerentes puellas eamus! マルグリート あの方は来ないわ、 ああ！ 第１６景 （森と洞窟） 自然への祈り ファウスト （ひとり） 奥知れぬ、崇高な自然よ、 ただお前のみが（別訳：お前のみが我が倦怠を）慰めてくれる。 私の悩みなど取るにも足らぬ、 もう一度力を、取り戻すのだ。 おお、嵐よ、旋風よ、うなれ、深き森よ！ 崩れよ、固き岩よ、降れ、滝のごとき雨よ！ 俺の声を雷鳴に合わせよ。 森よ、岩よ、滝よ、俺は好きだ！輝く 世界に、我が欲望は燃え立つ 空し心破れ去りたる 魂の希望。 第１７景 レシタティーヴと狩 メフィストフェレス （岩山を登りながら） 大空に煌めく あの星の光が見えますかな？ 君は今あの星の力が必要だ、 ここで夢見ている間にあの マルグリートは… ファウスト 黙れ！ メフィストフェレス そうかもしれない、 君はもうあの娘を愛してはいない、だが 娘は親殺しの罪で… ファウスト 何！ メフィストフェレス 森を通る狩人の足音だ。 ファウスト 話を、続けてくれ。マルグリートが牢屋に？ メフィストフェレス （落ちついて） 君たちが愛し合う夜のために、 母親を眠らせようと、君があの子に 渡したあの薬が、 災いのもとさ。夜ごと夜ごと、 君を待って娘は、それを飲ませた。 その分量が多くなり母親は死んだ。 これで分かったか！… ファウスト 何ということだ！ メフィストフェレス これが 二人の愛の結末… ファウスト （激しく） あの人を、あの人を、助けて！ メフィストフェレス ああ！俺のせいか、 それは人間どもの ばかなせいだ！ま、いいでしょう。 ここはとにかく後始末をしましょう。 だがその代わりに 私には何を？ ファウスト 何がほしい？ メフィストフェレス さよう、 あなたのサインを この古い羊皮紙に。 明日（あす）は私に仕えると誓って 署名してくれたらすぐに助けましょう。 ファウスト え（別訳：何）！明日（あした）のことか、よろしい羊皮紙を 出せ！ （署名する） さ、書いたぞ！さあ、すぐに行（ゆ）こう 飛んで行（ゆ）こう！気が狂いそうだ！ マルグリート、行（ゆ）くぞ！ メフィストフェレス さ来い、 Vortex! Giaour! 二頭の黒い馬で、思考のように速く、 走れ、走れ、裁きの時は近い。 （二人は発つ） 第１８景 （森と洞窟） （地獄への騎行ーファウストとメフィストフェレスは二頭の黒馬で天空を駆ける） ファウスト 我が耳に響く悲痛な叫び… 哀れな娘！ 農民たち （十字架の前で祈っている） Sancta Maria, ora pro nobis. Sancta Magdalena, ora pro nobis. ファウスト 道端の、子供や女 に気をつけろ。 メフィストフェレス 構わず進め！ 農民たち 聖マルガリータ… （恐怖の叫び） あ‼ （女と子供たちは怯えて散り散りになる） ファウスト あ！化け物が追いかけ来る！ メフィストフェレス 幻想だ！ ファウスト 大きな黒い鳥が、 不気味な声、翼が触れる！ メフィストフェレス （馬を抑えて） 弔いの鐘がもう聞こえる。 怖いか？戻るか？ （二人は止まる） ファウスト いや、行（ゆ）く、急げ！ （馬は速さを増す） メフィストフェレス （馬を急き立て） Hop! hop! hop! ファウスト 周りを見ろ、長い行列 骸骨が踊る！ 笑いながら通り過ぎる！ メフィストフェレス Hop! 助けることだけを 考えろ！ Hop! hop! ファウスト （ますます怯え息を切らして） 馬は震え、 毛を逆立て、 くつわを切る。 目の前で 大地が揺れ、 足の下で 雷鳴が！ メフィストフェレス Hop! hop! ファウスト 血の雨だ！！！ メフィストフェレス （声を轟かせ） 地獄の軍勢よ！ 勝利のラッパを吹き鳴らせ、 やったぞ！ （二人は奈落に落ちて行く） ファウスト あー！あー！ メフィストフェレス 俺の勝ち！ 第19景 悪魔の巣窟 悪魔と地獄の怪物の合唱 悪魔たち Has! Irimiru Karabrao! Has! Has! Has! 地獄の怪物たち 汝はこの者を 永遠（とわ）に支配するか、メフィスト？ メフィストフェレス 永遠（えいえん）の支配だ。 暗黒の王たち 彼はすべてを（別訳：彼はみずから） 承知の上で署名したのか？ メフィストフェレス 承知の上だ。 悪魔たち Has! Has! （悪魔たちはメフィストフェレスを胴上げして） Tradioun Marexil fir trudinxé burrudixé! Fory my dinkorlitz. O mérikariu! O mévixé! Méri kariba! O mérikariu! O midara caraibo lakinda, merondor dinkorlitz, merondor Tradioun marexil, Tradioun burrudixé Trudinxé caraibo. Fir omévixé merondor. Mit aysko, merondor, mit aysko! Oh! （悪魔たちはメフィストフェレスを取り囲み踊りながら） Diff! Diff! merondor, merondor aysko! Has! Has! Satan. Has! Has! Belphégor, Has! Has! Méphisto, Has! Has! Kroïx Diff! Diff! Astaroth, Diff! Diff! Belzébuth, Belphégor, Astaroth, Méphisto! Sat, satrayk irkimour. Has! Has! Méphisto! Has! Has! Has! Has! Irimiru Karabrao! 地上のエピローグ 地上にて 数人の声 地獄は静まり、 聞こゆるは炎の海の呟き、 魂をさいなむ悪魔の歯ぎしり、 底知れぬ恐怖の、地獄の神秘は、 今ここに満たされり。 小合唱 恐ろしや！ 第２０景 天上のフィナーレ 天使の合唱 （セラフィムは神の前で頭を下げて） Laus! Laus! Hosanna! Hosanna! 深く愛せり、主よ！ ソプラノ ソロ （天の高みより） マルガリータ！ マルグリートへの讃歌 天使の合唱 昇り給え、愛に迷いし 清き魂よ。 そなたの素朴な愛は その罪を清める。 乙女よ、来たれ、 天使の合唱と子供の合唱 乙女よ、来たれ、 神のみ使い等（ら）、 慰め給う この世の悩み忘れさせ、 神を敬い、望みを抱き、 幸せの微笑浮かべ、 さあ、マルガリータ、さあ！ ソプラノ ソロ マルガリータ！ 天使たちと子供たち さあ、マルガリータ！ ソプラノ ソロ マルガリータ！ 天使たちと子供たち さあ！ ソプラノ ソロ マルガリータ！さあ！ 天使たちと子供たち さあ！さあ！ さあ！ さあ！ TROISIÈME PARTIE SCÈNE IX Tambours et trompettes sonnant la retraite Air de Faust Chambre de Marguerite. Le soir FAUST Merci, doux crépuscule! Oh! sois le bienvenu! Éclaire enfin ces lieux, sanctuaire inconnu, Où je sens à mon front glisser comme un beau rêve, Comme le frais baiser d un matin qui se lève. C est de l amour, c est de l amour, j espère. Oh! comme on sent ici S envoler le souci! Que j aime ce silence, et comme je respire Un air pur!… Ô jeune fille! ô ma charmante! Ô ma trop idéale amante! Quel sentiment j éprouve en ce moment fatal! Que j aime à contempler ton chevet virginal! Quel air pur je respire! Seigneur! Seigneur! Après ce long martyre, Que de bonheur! Seigneur! Seigneur! Après ce long martyre, Que de bonheur! Faust, marchant lentement, examine avec une curiosité passionnée l intérieur de la chambre de Marguerite SCÈNE X MÉPHISTOPHÉLÈS accourant Je l entends! à demi-voix Sous ces rideaux de soie Cache-toi. FAUST à demi-voix Dieu! mon cœur se brise dans la joie! MÉPHISTOPHÉLÈS Profite des instants. Adieu, modère-toi, Ou tu la perds. Méphistophélès cache Faust sous les rideaux Bien. Mes follets et moi Nous allons vous chanter un bel épithalame. Il sort FAUST Oh! calme-toi, mon âme! SCÈNE XI Entre Marguerite une lampe à la main. Faust caché MARGUERITE Que l air est étouffant! J ai peur comme une enfant. C est mon rêve d hier qui m a toute troublée… En songe je l ai vu… lui… mon futur amant. Qu il était beau! Dieu! j étais tant aimée! j étais tant aimée! Et combien je l aimais! Nous verrons-nous jamais Dans cette vie?… Folie!… Chanson gothique Le roi de Thulé MARGUERITE elle chante en tressant ses cheveux Autrefois un roi de Thulé, Qui jusqu au tombeau fut fidèle, Reçut, à la mort de sa belle, Une coupe d or ciselé. Comme elle ne le quittait guère, Dans les festins les plus joyeux, Toujours une larme légère À sa vue humectait ses yeux. Ce prince, à la fin de sa vie, Lègue ses villes et son or. Excepté la coupe chérie Qu à la main il conserve encor. Il fait, à sa table royale, Asseoir ses barons et ses pairs, Au milieu de l antique salle D un château que baignaient les mers. Le buveur se lève et s avance Auprès d un vieux balcon doré; Il boit, et soudain sa main lance Dans les flots le vase sacré. Le vase tombe; l eau bouillonne, Puis se calme aussitôt après. Le vieillard pâlit et frissonne Il ne boira plus désormais. Elle se laisse tomber dans le fauteuil Autrefois un roi de Thulé… Qui jusqu au tombeau… fut fidèle… Profond soupir Ah! Elle s endort SCÈNE XII Une rue devant la maison de Marguerite Évocation MÉPHISTOPHÉLÈS Esprits des flammes inconstantes, Accourez! j ai besoin de vous. Accourez! accourez! Follets capricieux, vos lueurs malfaisantes Vont charmer une enfant et l amener à nous. Au nom du Diable, en danse! Et vous, marquez bien la cadence, Ménétriers d enfer, ou je vous éteins tous. Menuet des follets Les follets exécutent des évolutions et des danses bizarres autour de la maison de Marguerite MÉPHISTOPHÉLÈS il fait le mouvement d un homme qui joue de la vielle Maintenant, Chantons à cette belle une chanson morale, Pour la perdre plus sûrement. Sérénade de Méphistophélès avec chœur de follets MÉPHISTOPHÉLÈS Devant la maison De celui qui t adore, De? Celui, de celui qui t adore, Petite Louison, Que fais-tu dès l aurore? Que fais-tu? que fais-tu? que fais-tu? Au signal du plaisir, Dans la chambre du drille, Tu peux bien entrer fille, Tu peux bien entrer fille, Mais non fille en sortir, Mais non fille en sortir. Devant la maison, etc. CHŒUR DE FOLLETS Que fais-tu? avec un éclat de rire sec et strident Ha! MÉPHISTOPHÉLÈS Il te tend les bras Près de lui tu cours vite, tu cours près de lui, Près de lui tu cours vite. Bonne nuit, hélas! Ma petite, bonne nuit, bonne nuit, bonne nuit, bonne nuit, bonne nuit! CHŒUR DE FOLLETS Bonne nuit, bonne nuit! MÉPHISTOPHÉLÈS et FOLLETS Près du moment fatal Fais grande résistance, S il ne t offre d avance, S il ne t offre d avance, S il ne t offre un anneau conjugal, un anneau conjugal! MÉPHISTOPHÉLÈS Il te tend les bras Près de lui tu cours vite, tu cours près de lui, Près de lui tu cours vite. Bonne nuit, hélas! Bonne nuit, ma petite, bonne nuit, bonne nuit, bonne nuit, bonne nuit! FOLLETS Il te tend les bras, Près de lui tu cours. Près de lui tu cours vite, Il te tend les bras, Près de lui tu cours vite, tu cours, tu cours vite, Bonne nuit, hélas! Bonne nuit, ma petite, bonne nuit, bonne nuit! MÉPHISTOPHÉLÈS Chut! disparaissez! Les follets disparaissent Silence! Allons voir roucouler nos tourtereaux. SCÈNE XIII Chambre de Marguerite Final Duo, Trio et Chœur MARGUERITE apercevant Faust Grands Dieux! Que vois-je! est-ce bien lui? dois-je en croire mes yeux?… FAUST Ange adoré dont la céleste image Avant de te connaître illuminait mon cœur, Enfin je t aperçois, et du jaloux nuage Qui te cachait encor mon amour est vainqueur. Marguerite, je t aime! MARGUERITE Tu sais mon nom? Moi-même J ai souvent dit le tien! timidement Faust!… FAUST Ce nom est le mien; Un autre le sera, s il te plaît davantage. MARGUERITE En songe je t ai vu te, que je te revois. FAUST En songe!… tu m as vu? MARGUERITE Je reconnais ta voix Tes traits, ton doux langage… FAUST Et tu m aimais? MARGUERITE Je… t attendais. FAUST Marguerite adorée! MARGUERITE Ma tendresse inspirée Était d avance à toi. FAUST Marguerite est à moi! MARGUERITE avec Faust Mon bien-aimé, ta noble et douce image, … FAUST avec Marguerite Ah! Ange adoré Dont la céleste image … MARGUERITE, FAUST ensemble … Avant de te connaître, illuminait mon cœur! Enfin je t aperçois, et du jaloux nuage Qui te cachait encor ton/mon amour est vainqueur. ton/mon amour est vainqueur, est vainqueur. FAUST avec élan Marguerite, ô tendresse! MARGUERITE Je ne sais quelle ivresse… FAUST Cède à l ardente ivresse… MARGUERITE … Dans ses bras me conduit. FAUST … Qui vers toi, qui vers toi m a conduit. Marguerite, ô tendresse! MARGUERITE Je ne sais quelle ivresse… FAUST Cède à l ardente ivresse… MARGUERITE … Brûlante enchanteresse … Dans ses bras me conduit. FAUST … Qui vers toi m a conduit. MARGUERITE Quelle langueur s empare de mon être! FAUST Au vrai bonheur dans mes bras tu vas naître, Viens! MARGUERITE Dans mes yeux… FAUST Viens! MARGUERITE … Des pleurs… Tout s efface… Je meurs… Tout s efface… Ah! je meurs… FAUST Viens! Viens! Viens! Viens! Viens! SCÈNE XIV Trio et Chœur MÉPHISTOPHÉLÈS entrant brusquement Allons, il est trop tard! MARGUERITE Quel est cet homme? FAUST Un sot. MÉPHISTOPHÉLÈS Un ami. MARGUERITE Son regard Me déchire le cœur. MÉPHISTOPHÉLÈS Sans doute je dérange… FAUST Qui t a permis d entrer? MÉPHISTOPHÉLÈS Il faut sauver cet ange! Déjà tous les voisins, éveillés par nos chants, Accourent, désignant la maison aux passants; En raillant Marguerite, ils appellent sa mère. La vieille va venir… FAUST Que faire? MÉPHISTOPHÉLÈS Il faut partir! FAUST Damnation! MÉPHISTOPHÉLÈS Vous vous verrez demain; la consolation Est bien près de la peine. MARGUERITE Oui, demain, bien-aimé! Dans la chambre prochaîne Déjà j entends du bruit. FAUST Adieu donc, belle nuit À peine commencée! Adieu, festin d amour Que je m étais promis! MÉPHISTOPHÉLÈS Partons, voilà le jour! FAUST Te reverrai-je encor, Heure trop fugitive, Où mon âme au bonheur allait enfin s ouvrir! Où mon âme au bonheur allait enfin, allait enfin s ouvrir, allait enfin s ouvrir! VOISINS dans la rue Holà! mère Oppenheim, vois ce que fait ta fille! MÉPHISTOPHÉLÈS La foule arrive. VOISINS L avis n est pas hors de saison Un galant est dans ta maison… MÉPHISTOPHÉLÈS Hâtons nous de partir! VOISINS … Et tu verras dans peu s accroître ta famille. Holà! MARGUERITE Ciel! VOISINS Holà! MARGUERITE Ciel! entends-tu ces cris? Devant Dieu, je suis morte Si l on te trouve ici! MÉPHISTOPHÉLÈS Viens! on frappe à la porte! FAUST Ô fureur! MÉPHISTOPHÉLÈS Ô sottise! MARGUERITE Adieu, adieu, par le jardin Vous pouvez échapper. FAUST Ô mon ange! à demain! MÉPHISTOPHÉLÈS À demain! à demain! Tous trois ensemble FAUST Je connais donc enfin tout le prix de la vie, Le bonheur m apparaît, il m appelle et je vais, je vais le saisir. L amour s est emparé de mon âme ravie, L amour s est emparé de mon âme ravie, Il comblera bientôt mon dévorant désir. Je connais donc enfin tout le prix de la vie, Le bonheur m apparaît, il m appelle et je vais, je vais le saisir. L amour s est emparé de mon âme ravie, L amour s est emparé de mon âme, Il comblera, il comblera mon dévorant désir. Il comblera mon dévorant désir. L amour s est emparé de mon âme ravie, Il comblera bientôt mon désir. MÉPHISTOPHÉLÈS Je puis donc te traîner dans la vie, Fier esprit! Le moment approche, le moment approche où je vais te saisir. Sans combler ton dévorant désir, L amour en t enivrant doublera ta folie. L amour en t enivrant doublera ta folie. Et le moment approche, Et le moment approche où je vais te saisir, où je vais te saisir. Je puis donc à mon gré te traîner dans la vie, Fier esprit! Le moment approche, le moment approche où je vais te saisir. Le moment approche où je vais te saisir. L amour en t enivrant doublera ta folie. Et le moment approche où je vais te saisir. Oui, le moment approche où je vais te saisir. Oui, le moment approche où je vais te saisir, où je vais te saisir. Oui, le moment approche où je vais te saisir, où je vais te saisir. MARGUERITE Ô mon Faust! Ô mon Faust! Je te donne ma vie! L amour s est emparé de mon âme ravie, Il m entraîne, il m entraîne te perdre, c est mourir! Ô mon Faust bien-aimé! Je te donne ma vie! Ô mon Faust! Ô bien-aimé, je te donne ma vie! Ô mon Faust! Il m entraîne vers toi, Ah! te perdre, te perdre, c est mourir! L amour s est emparé de mon âme ravie, Oui, mon Faust, de mon âme ravie, Il m entraîne vers toi, Te perdre, c est mourir! VOISINS dans la rue Un galant est dans ta maison, Et tu verras dans peu s accroître ta famille. Holà! mère Oppenheim, vois ce que fait ta fille! Holà! mère Oppenheim, Holà! MARGUERITE Te perdre, te perdre, c est mourir, c est mourir, c est mourir! Te perdre, ah, c est mourir! Oui, te perdre, c est mourir! FAUST Il comblera bientôt mon dévorant désir, Oui bientôt mon dévorant désir, oui bientôt Il comblera mon dévorant désir. MÉPHISTOPHÉLÈS Le moment approche où je vais te saisir, où je vais te saisir, Oui, le moment approche où je vais te saisir, Où je vais, je vais te sailà. QUATRIÈME PARTIE SCÈNE XV Chambre de Marguerite Romance MARGUERITE seule D amour l ardente flamme, Consume mes beaux jours. Ah! la paix de mon âme A donc fui pour toujours! Son départ, son absence Sont pour moi le cercueil, Et, loin de sa présence Tout me paraît en deuil. Alors ma pauvre tête Se dérange bientôt, Mon faible cœur s arrête, Puis se glace aussitôt. Sa marche que j admire, Son port si gracieux, Sa bouche au doux sourire, Le charme de ses yeux, Sa voix enchanteresse, Dont il sait m embraser, De sa main la caresse, Hélas! et son baiser, D une amoureuse flamme, Consument mes beaux jours! Ah! le paix de mon âme A donc fui pour toujours! Je suis à ma fenêtre, Ou dehors, tout le jour, C est pour le voir paraître, Ou hâter son retour. Mon cœur bat et se presse Dès qu il le sent venir, Au gré de ma tendresse Puis-je le retenir! Ô caresses de flamme! Que je voudrais un jour Voir s exhaler mon âme Dans ses baisers d amour! Voir s exhaler mon âme Dans ses baisers dans ses baisers d amour! Tambours et trompettes sonnant la retraite. Chœurs de soldats et d étudiants qui se font entendre dans le lointain CHŒUR DE SOLDATS derrière la scène Au son des trompettes, Les braves soldats S élancent aux fêtes Ou bien aux combats. MARGUERITE Bientôt la ville entière au repos va se rendre… SOLDATS Si grande est la peine, Le prix est plus grand, Le prix est plus grand. MARGUERITE Clairons, tambours du soir déjà se font entendre Avec des chants joyeux, Comme au soir où l amour offrit Faust à mes yeux. CHŒUR D ÉTUDIANTS dans le lointain Jam nox stellata velamina pandit… MARGUERITE Il ne vient pas… ÉTUDIANTS Per urbem quaerentes puellas eamus! MARGUERITE Il ne vient pas, Hélas! SCÈNE XVI Forêts et cavernes Invocation à la nature FAUST seul Nature immense, impénétrable et fière, Toi seule donnes trêve à mon ennui sans fin. Sur ton sein tout-puissant je sens moins ma misère, Je retrouve ma force, et je crois vivre enfin. Oui, soufflez, ouragans! Criez, forêts profondes! Croulez, croulez, rochers! Torrents, précipitez vos ondes! À vos bruits souverains ma voix aime à s unir. Forêts, rochers, torrents, je vous adore! Mondes Qui scintillez, vers vous s élance le désir D un cœur trop vaste et d une âme altérée D un bonheur qui la fuit. SCÈNE XVII Récitatif et chasse MÉPHISTOPHÉLÈS gravissant les rochers À la voûte azurée Aperçois-tu, dis-moi, l astre d amour constant? Son influence, ami, serait fort nécessaire, Car tu rêves ici, quand cette pauvre enfant, Marguerite… FAUST Tais-toi! MÉPHISTOPHÉLÈS Sans doute il faut me taire, Tu n aimes plus! Pourtant en un cachot traînée, Et pour un parricide à la mort condamnée… FAUST Quoi! MÉPHISTOPHÉLÈS J entends des chasseurs qui parcourent les bois. FAUST Achève, qu as-tu dit? Marguerite en prison? MÉPHISTOPHÉLÈS posément Certaine liqueur brune, un innocent poison, Qu elle tenait de toi, pour endormir sa mère Pendants vos nocturnes amours, A causé tout le mal. Caressant sa chimère, T attendant chaque soir, elle en usait toujours. Elle en a tant usé que la vieille en est morte. Tu comprends maintenant!… FAUST Feux et tonnerre! MÉPHISTOPHÉLÈS En sorte Que son amour pour toi la conduit… FAUST avec fureur Sauve-la., sauve-la, misérable! MÉPHISTOPHÉLÈS Ah! je suis le coupable! On vous reconnaît là, Ridicules humains! N importe! Je suis le maître encor de t ouvrir cette porte; Mais qu as-tu fais pour moi Depuis que je te sers? FAUST Qu exiges-tu? MÉPHISTOPHÉLÈS De toi? Rien qu une signature Sur ce vieux parchemin. Je sauve Marguerite à l instant, si tu jures Et signes ton serment de me servir demain. FAUST Eh! que me fait demain quand je souffre à cette heure? Donne! Il signe Voilà mon nom! Vers sa sombre demeure Volons donc maintenant! Ô douleur insensée! Marguerite, j accours! MÉPHISTOPHÉLÈS À moi, Vortex! Giaour! Sur ces deux noirs chevaux, prompts comme la pensée, Montons et au galop! La justice est pressée. Ils partent SCÈNE XVIII Plaines, montagnes et vallées La course à l abîme - Faust et Méphistophélès galopant sur deux chevaux noirs FAUST Dans mon cœur retentit sa voix désespérée… Ô pauvre abandonnée! PAYSANS agenouillés devant une croix champêtre Sancta Maria, ora pro nobis. Sancta Magdalena, ora pro nobis. FAUST Prends garde à ces enfants, à ces femmes priant Au pied de cette croix. MÉPHISTOPHÉLÈS Eh! qu importe! en avant! PAYSANS Sancta Margarita… cri d effroi Ah!!! Les femmes et les enfants se dispersent épouvantés FAUST Dieux! un monstre hideux en hurlant nous poursuit! MÉPHISTOPHÉLÈS Tu rêves! FAUST Quel essaim de grands oiseaux de nuit! Quels cris affreux!… ils me frappent de l aile! MÉPHISTOPHÉLÈS retenant son cheval Le glas des trépassés sonne déjà pour elle. As-tu peur? retournons! Ils s arrêtent FAUST Non, je l entends, courons! Les chevaux redoublent de vitesse MÉPHISTOPHÉLÈS excitant son cheval Hop! hop! hop! FAUST Regarde, autour de nous, cette ligne infinie De squelettes dansant! Avec quel rire horrible ils saluent en passant! MÉPHISTOPHÉLÈS Hop! pense à sauver sa vie, Et ris-toi des morts! Hop! hop! FAUST de plus en plus épouvanté et haletant Nos chevaux frémissent, Leurs crins se hérissent, Ils brisent leurs mors! Je vois onduler Devant nous la terre; J entends le tonnerre Sous nos pieds rouler! MÉPHISTOPHÉLÈS Hop! hop! FAUST Il pleut du sang!!! MÉPHISTOPHÉLÈS d une voix tonnante Cohortes infernales! Sonnez, sonnez vos trompes triomphales, Il est à nous! Ils tombent dans un gouffre FAUST Horreur! Ah! MÉPHISTOPHÉLÈS Je suis vainqueur! SCÈNE XIX Pandaemonium Chœur en langue infernale DAMNÉS ET DÉMONS Has! Irimiru Karabrao! Has! Has! Has! LES PRINCES DES TÉNÈBRES De cette âme si fière À jamais es-tu maître et vainqueur, Méphisto? MÉPHISTOPHÉLÈS J en suis maître à jamais. LES PRINCES DES TÉNÈBRES Faust a donc librement Signé l acte fatal qui le livre à nos flammes? MÉPHISTOPHÉLÈS Il signa librement. DAMNÉS ET DÉMONS Has! Has! Les démons portent Méphistophélès en triomphe Tradioun Marexil fir trudinxé burrudixé! Fory my dinkorlitz. O mérikariu! O mévixé! Méri kariba! O mérikariu! O midara caraibo lakinda, merondor dinkorlitz, merondor Tradioun marexil, Tradioun burrudixé Trudinxé caraibo. Fir omévixé merondor. Mit aysko, merondor, mit aysko! Oh! Les démons dansent autour de Méphistophélès Diff! Diff! merondor, merondor aysko! Has! Has! Satan. Has! Has! Belphégor, Has! Has! Méphisto, Has! Has! Kroïx Diff! Diff! Astaroth, Diff! Diff! Belzébuth, Belphégor, Astaroth, Méphisto! Sat, satrayk irkimour. Has! Has! Méphisto! Has! Has! Has! Has! Irimiru Karabrao! EPILOGUE Sur la terre QUELQUES VOIX Alors l enfer se tut. L affreux bouillonnement de ces grands lacs de flammes, Les grincements de dents de ses tourmenteurs d âmes, Se firent seuls entendre; et dans ses profondeurs, Un mystère d horreur s accomplit. PETIT CHŒUR Ô terreurs! Dans le ciel CHŒUR D ESPRITS CÉLESTES Séraphins inclinés devant le Très-Haut Laus! Laus! Hosanna! Hosanna! Elle a beaucoup aimé, Seigneur! SOPRANO SOLO des hauteurs du ciel Margarita! Apothéose de Marguerite CHŒUR D ESPRITS CÉLESTES Remonte au ciel, âme naïve Que l amour égara; Viens revêtir ta beauté primitive Qu une erreur altéra. Viens, les vierges divines, CHŒUR D ESPRITS CÉLESTES et CHŒUR D ENFANTS Viens, les vierges divines, Tes sœurs, les Séraphines, Sauront tarir les pleurs Que t arrachent encor les terrestres douleurs. Conserve l espérance, Conserve l espérance Et souris, et souris au bonheur. Viens, Margarita, viens! SOPRANO SOLO Margarita! ESPRITS CÉLESTES, ENFANTS Viens, Margarita! SOPRANO SOLO Margarita! ESPRITS CÉLESTES, ENFANTS Viens! SOPRANO SOLO Margarita! Viens! ESPRITS CÉLESTES, ENFANTS Viens! Viens! Viens! Viens! All rights reserved © Asahina Takashi Berlioz,Hector/La Damnation de Faust+
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Ray Kirk?Charles Lewis?
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【Tags Craft-P Rin tP N】 Original Music title 何もなかった顔で English music title Pretending That Nothing Happened Romaji music title Nani mo Nakatta Kao de Music Lyrics written, Voice edited by クラフトP (Craft-P) Music arranged by クラフトP (Craft-P) Singer(s) 鏡音リン (Kagamine Rin) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： I believed I could go anywhere with you forever We talked "It s like we are destined to meet before we were born." I never imagined repeating the same thing every day would be that precious You were the only one who made me feel that way Even though it was such a miraculous love It ended in a sudden I feel as though every memory was still blaming me "Why?" Pretending that nothing happened I get on a bus to go to work All what I see is the places we spent together Pretending that nothing happened and getting over this kind of agony Does every stranger on the bus laugh as usual? Days passed as if they were like a dream or a wind They are real because my heart hurts Realizing the reality, I can accept the heart ache You are the one who gave me the most marvelous love in my life The bike we rode double on The cat we named but we couldn t keep All I remember is the days we spent together Pretending that nothing happened, I walk pass people on the street I guess they are also pretending and spending a day as usual If I delete your name in the call register one day And give everything I have to my new love Won t it be sinful? I was at a loss for a word and couldn t say the last words Looking at me like that, you said good bye What I remember is how kind you were And that makes me cry Pretending that nothing happened Will I fall in love with somebody else? This is what I couldn t tell you for a long long time Thank you for everything Romaji lyrics (transliterated by motokokusanagi2009)： anata to nara dokoe demo zutto issho ni ikeru to shinji te ita no don na toko e demo marude umareru mae kara kitto deaeru koto wa kimatteta mitai to futari hanashita ne mainichi no kuri kaeshi ga kon na itōshiku omoeta koto wa nakatta anata dake datta son na kiseki no koi ni demo kon na fū ni owari ga kuru no ima demo watashi o tori kakomu omoide tachi ga "naze?" to tsume yoru mitai de nanimo nakatta furi shite kyō mo shigoto ni mukau basu no naka kara mieru keshiki wa subete anata to sugoshita basho desu nanimo nakatta kao de basu ni nori awaseta mishira nu hito mo kon na omoi o nori koe kyō mo waratte iru no desu ka yume no yōni kaze no yōni sugita hibi ga uso ja nakatta akashi ni mune wa itamu to shiri mashita sō omoe tara kono mune no setsunasa mo itōshiku naru no ima made no shōgai no naka de ichiban suteki na koi o kureta hito futari nosi shita jitensha namae dake kime te kae nakatta neko omoi dasu nowa subete anata to sugoshita hibi desu nanimo nakatta kao shite machi de sure chigau iron na hito mo kon na omoi o kakushi te kyō mo kurashi te iru no deshō watashi no cyakushin rireki kara anata ga kiteru hi ga kite atarashī koi ni inochi o kake temo sore wa tsumi dewa nai desu ka saigo no saigo ni tsumatta watashi o mite itte kureta sayonara omoi dasu nowa anata no namida ga deru yōna yasashisa nanimo nakatta kao shite watashi wa mata koi o suru no deshō ka zutto zutto ī sobire te ita kotoba desu arigatō [Craft-P, CraftP, Kurafuto-P, KurafutoP]
https://w.atwiki.jp/220yearsafterlove/pages/56.html
http //20yearsafterlove.blog111.fc2.com/blog-entry-311.html